Fall Path
Color photograph
Theodore Neirenberg (1923-2009)
Courtesy of the artist's estate

Summer Garden Path
Color photograph
Theodore Neirenberg (1923-2009)
Courtesy of the artist's estate

Winter Path
Color photograph
Theodore Neirenberg (1923-2009)
Courtesy of the artist's estate

Spring Garden Path
Color photograph
Theodore Neirenberg (1923-2009)
Courtesy of the artist's estate

The Beckoning Path: The Woodland Garden Photographs of Theodore Nierenberg

August 28, 2010 - November 7, 2010

Photographs highlighting the seasons of a magnificent Westchester County garden are the focus of the new exhibition The Beckoning Path: The Woodland Garden Photographs of Theodore Nierenberg. For more than 50 years, Theodore Nierenberg meticulously sculpted the splendid gardens of his New York estate. A rambling series of paths lead to intimate places and vantage points exposing vistas across an adjacent lake. A series of 46 photographs of these paths as well as intimate close-ups and scenic views taken over several decades and during all seasons will be on display from August 28 through November 7, 2010.

Theodore Nierenberg (1923-2009) was a prominent industrial designer and photographer. He began creating his garden masterpiece while designing and building a modern house overlooking Cobamong Lake on his 15-acre property in Armonk, New York. Cobamong, an Algonquin word translated as “beautiful, hidden valley,” is the word Nierenberg used as the namesake of his estate. The horticultural project would become a life-long endeavor, and as the garden began to mature, Nierenberg documented it through photography.

Nierenberg earned a bachelor’s of science degree in engineering management from Carnegie Mellon University in 1944, when it was called the Carnegie Institute of Technology. Along with his wife Martha, Nierenberg founded Dansk International Designs, a business best known for table and house wares of a distinctive Scandinavian Modern style. The company was started in 1954 after a trip to Europe during which the couple became interested in the work of foreign industrial designers. Although the company began its operations in the couple’s garage in Great Neck, NY, Dansk operated for many years afterward from its headquarters in Mount Kisco, NY. After directing the company for more than thirty years, the couple sold the company in 1985.

Nierenberg’s retirement allowed him to concentrate on his many hobbies, which included gardening, cooking, traveling, photography, and philanthropy. A World War II pilot, former president of the American Craft Council, and an Emeritus Life Trustee of Carnegie Mellon, Nierenberg, over his lifetime, endowed several programs at Carnegie Mellon including the Nierenberg Chair of Design, an annual visiting professorship.

Nierenberg became an accomplished photographer and studied with many notable photographers including Magnum photojournalist Ernst Haas. In the early 1980s, Nierenberg brought one of his initial portfolios to John Szarkowski, then the director of photography at the Museum of Modern Art, who encouraged him to further pursue his artistic passion. Nierenberg continued to shoot, amassing a portfolio of more than 300,000 images. Eventually these photographs were trimmed down to a stunning collection of about 100 photos of Cobamong that caught the eye of Aperture, a well-respected publisher of art and photography books. These images were published in 1993 in the book, The Beckoning Path: Lessons of a Lifelong Garden, featuring the photographs Nierenberg took of his renowned Hudson Valley woodland garden.

Later in life, Nierenberg was recognized as a master landscape designer. He first learned to garden as a young boy on his uncle’s farm, where he practiced rooting cuttings and grafting trees. He established a nursery at his first home on Long Island, New York, and brought a number of these shrubs to his property in Armonk. He also traveled to hundreds of gardens and studied landscape design at the New School in New York. He was particularly interested in Japanese gardens and became an expert on Japanese maples, which play a major role in the Cobamong garden and were often the focus of his photographs. Several photographs of one particular Japanese maple, planted near the lake and captured by his camera in all of its seasonal glory, will be on view in the exhibition.

Through the exhibition, visitors will be drawn into Nierenberg’s extraordinary personal habitat, viewing groups of photographs representing summer, autumn, winter, early spring, and spring. The exhibition is supported by the Charles M. and Deborah G. Royce Exhibition Fund.

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